| Week |
Subject |
Related Preparation |
| 1) |
Exploration of the variables in film processing.
|
|
| 2) |
The techniques of film processing based on the topic contrast.
|
Working on the assignments. |
| 3) |
The properties of fiber-base paper in film processing. Assignment I: Shooting and printing on a free topic. |
Working on the assignments. |
| 4) |
Printing with fiber-base paper.
|
Working on the assignments. |
| 5) |
Applications of variable partial printing. Assignment II: 5 processed prints from a photograph of another photograph. |
Working on the assignments. |
| 6) |
Application of Safelight Test
|
Working on the assignments. |
| 7) |
Application of Split Printing I
|
Working on the assignments. |
| 8) |
Application of Split Printing II
|
Working on the assignments.
|
| 9) |
Methods of drying and pressing fiber-base paper.
|
Working on the assignments. |
| 10) |
Methods of taking notes- print log and methods of ordering forms
|
Working on the assignments. |
| 11) |
Archiving prints and films. Preparing a portfolio.
|
Working on the assignments.
|
| 12) |
Using variable contrast papers on same print-I. Assignment III: 5 prints on a given subject.
|
Working on the assignments.
|
| 13) |
Using variable contrast papers on same print-II.
|
Working on the assignments. |
| 14) |
Evaluation of the prints produced throughout the semester
|
Working on the assignments. |
| 14) |
Evaluation of the prints produced throughout the semester
|
Working on the assignments. |
| |
Program Outcomes |
Level of Contribution |
| 1) |
Setting up various spaces in national and international contexts, carrying out designs, planning and applications that could satisfy various user groups and respond various requirements in the field of Interior Architecture, |
|
| 2) |
Analyzing the information gathered from the framework of actual physical, social and economical constraints and user requirements, and synthesizing these with diverse knowledge and considerations in order to create innovative spatial solutions, |
|
| 3) |
Generating creative, innovative, aesthetic and unique spatial solutions by using tangible and abstract concepts, |
|
| 4) |
Using at least one of the illustration and presentation technologies competently, that the field of interior architecture requires, |
|
| 5) |
Reporting, presenting and transferring the design, practice and research studies to the specialists or laymen by using visual, textual or oral communication methods, efficiently and accurately, |
|
| 6) |
Embracing and prioritizing man-environment relationships, user health, safety and security, and universal design principles in the field of interior architecture, |
|
| 7) |
Design understanding and decision making that respects social and cultural rights of the society, cultural heritage and nature, |
|
| 8) |
Being aware of national and international values, following developments and being equipped about ethical and aesthetical subjects in the fields of interior architecture, design and art, |
|
| 9) |
Having absolute conscious about legal regulations, standards and principles; and realizing professional ethics, duties and responsibilities in the field of Interior Architecture, |
|
BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
