| Week |
Subject |
Related Preparation |
| 1) |
Introduction to photography and basic principles.
|
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| 2) |
Introduction to darkroom, equipment, materials. |
Working on the assignments. |
| 3) |
Types of photographic film, basic film processing principles. Assignment I: Film processing.
|
Working on the assignments.
|
| 4) |
Printing techniques.
|
Working on the assignments.
|
| 5) |
Types of papers, paper development principles.
|
Working on the assignments. |
| 6) |
Contrast in print, expressing one's own style. Assignment II: 5 prints.
|
Working on the assignments. |
| 7) |
Safelight test.
|
Working on the assignments.
|
| 8) |
The relationship of film processing to film density.
|
Working on the assignments.
|
| 9) |
Characteristics of black & white print and examples from pioneer photographers. Assignment III: 5 prints.
|
Working on the assignments. |
| 10) |
Exposing films according to subject matter and printing technique.
|
Working on the assignments. |
| 11) |
Keeping prints and films safe, and preparing a portfolio.
|
Working on the assignments.
|
| 12) |
Light-meters and light metering techniques. Assignment IV: 5 prints on a given subject.
|
Working on the assignments.
|
| 13) |
Applying contrast filters, and using variable contrast values on a same print I.
|
Working on the assignments.
|
| 14) |
Applying contrast filters, and using variable contrast values on a same print II.
|
Working on the assignments.
|
| |
Program Outcomes |
Level of Contribution |
| 1) |
Setting up various spaces in national and international contexts, carrying out designs, planning and applications that could satisfy various user groups and respond various requirements in the field of Interior Architecture, |
|
| 2) |
Analyzing the information gathered from the framework of actual physical, social and economical constraints and user requirements, and synthesizing these with diverse knowledge and considerations in order to create innovative spatial solutions, |
|
| 3) |
Generating creative, innovative, aesthetic and unique spatial solutions by using tangible and abstract concepts, |
|
| 4) |
Using at least one of the illustration and presentation technologies competently, that the field of interior architecture requires, |
|
| 5) |
Reporting, presenting and transferring the design, practice and research studies to the specialists or laymen by using visual, textual or oral communication methods, efficiently and accurately, |
|
| 6) |
Embracing and prioritizing man-environment relationships, user health, safety and security, and universal design principles in the field of interior architecture, |
|
| 7) |
Design understanding and decision making that respects social and cultural rights of the society, cultural heritage and nature, |
|
| 8) |
Being aware of national and international values, following developments and being equipped about ethical and aesthetical subjects in the fields of interior architecture, design and art, |
|
| 9) |
Having absolute conscious about legal regulations, standards and principles; and realizing professional ethics, duties and responsibilities in the field of Interior Architecture, |
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BAHÇEŞEHİR UNIVERSITY BİLGİ PAKETİ / DERS KATALOĞU
