| Week |
Subject |
Related Preparation |
| 1) |
Genetic Engineering and Biotechnology: Introduction |
Reading |
| 2) |
Host-vector systems I |
Reading |
| 3) |
Host-vector systems II |
Reading |
| 4) |
Transgenic plant technology I |
Reading |
| 5) |
Transgenic plant technology II |
Reading |
| 6) |
Applications of transgenic plants I |
Reading |
| 7) |
Applications of transgenic plants II |
Reading |
| 8) |
Applications of transgenic plants III |
Reading |
| 9) |
Overview |
Reading |
| 10) |
Production of transgenic animals I |
Reading |
| 11) |
Production of transgenic animals II |
Reading |
| 12) |
Applications of transgenic animals |
Reading |
| 13) |
Diagnosis of diseases and gene therapy |
Reading |
| 14) |
Recent improvements in transgenic technology |
Reading |
| |
Program Outcomes |
Level of Contribution |
| 1) |
To develop performance skills in the field of Music at an expert level based on the main discipline. |
|
| 2) |
To understand the interdisciplinary interactions inherent in the field of Music and evaluate the sub-disciplines together. |
|
| 3) |
To individualize competent technical knowledge related to the main field of Music. |
|
| 4) |
To acquire the ability to follow universal standards in the field of Music and possess the necessary qualifications to participate in international platforms. |
|
| 5) |
To evaluate the theoretical and practical knowledge in the field of Music together with conceptual and abstract thinking skills in the domains of art theory and aesthetics. |
|
| 6) |
To gain the ability to design a working process required for production and performance of works and acquiring time management skills. |
|
| 7) |
To gain increasing awareness of the historical and social relationships between one's main field and other disciplines by having a command of Music history. |
|
| 8) |
To acquire skills in abstract thinking related to artistic criticism and to evaluate these in their own practice. |
|
| 9) |
To gain experience in finding and developing the equivalents of creative thinking in the field of Music. |
|
| 10) |
To plan and organize programs in various areas such as concerts and conceptual events and handle the organization and practice aspects, fulfilling requirements before and after the events. |
|