Language of instruction: |
English |
Type of course: |
Non-Departmental Elective |
Course Level: |
Bachelor’s Degree (First Cycle)
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Mode of Delivery: |
Face to face
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Course Coordinator : |
MEHMET ŞÜKRÜ KURAN |
Recommended Optional Program Components: |
None |
Course Objectives: |
This course aims at equipping students with a deeper understanding of cryptography. It starts by introducing the underlying theory of Galois fields, and targets basic topics of significant practical importance as well as advanced topics of theoretical importance. In the first part of the course, a detailed analysis of standard cryptographic algorithms is made and efficient implementation ideas are discussed, focusing on public key schemes such as RSA, ElGamal and Diffie-Hellman, as well as elliptic curve cryptography and homomorphic encryption. In the second part, application of these algorithms to advanced protocols, such as for authentication, identification, key distribution, zero-knowledge and computationally-private information retrieval, is discussed. In the last part of the course, advanced mathematical algorithms, such as brute-force, baby-step giant-step and the Pohlig-Hellman, for attacking some of the covered cryptographic schemes are discussed. |
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Program Outcomes |
Level of Contribution |
1) |
They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). |
2 |
2) |
They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. |
2 |
3) |
They are aware of national and international values in performing arts. |
2 |
4) |
Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. |
1 |
5) |
They have the sensitivity to run a business successfully in their field. |
3 |
6) |
Develops the ability to perceive, think, design and implement multidimensional from local to universal. |
3 |
7) |
They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. |
2 |
8) |
They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. |
3 |
9) |
They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. |
1 |
10) |
They follow English language resources related to their field and can communicate with foreign colleagues in their field. |
1 |
11) |
By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. |
3 |
12) |
They can produce original works within the framework of an interdisciplinary understanding of art. |
2 |
13) |
Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. |
3 |
14) |
Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. |
2 |
15) |
They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. |
3 |