ECONOMICS | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
POV3341 | Visual Storytelling | Fall | 2 | 2 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Instructor DAĞHAN CELAYİR |
Course Lecturer(s): |
Prof. Dr. HASAN KEMAL SUHER |
Recommended Optional Program Components: | None |
Course Objectives: | This course aims to focus on the contemporary photography that has transformed along with contemporary arts since the 1970’s. The concept of contemporary art that has been separated from the modern art for the last 4 decades will be explored. The second aim of this course is to combine contemporary photography combinations with one’s own experiences in photographic applications and to question the relation of the concepts to the visual experiences. |
The students who have succeeded in this course; 1. Identify and describe the concept of contemporary art. 2. Demonstrate knowledge of the contemporary art applications. 3. Interpret the theoretical background of the contemporary photography practices. 4. Compare the relation between global and local contemporary art practices. 5. Discuss the probability of conveying social, cultural and personal experiences through the language of the contemporary art. 6. Developing the ability to apply one’s own concepts in the multilayered narrative structures and forms of contemporary art. |
Works by contemporary photographers will be analyzed in terms of the narratives created by this concept and that are usually intertextual, more micro and more identity oriented. |
Week | Subject | Related Preparation |
1) | What is story? Different narrative styles. | |
2) | Visual story telling tools used by the artist. | Working on the assignments. |
3) | Statement, Design and Atmosphere. Understanding “Blade Runner” and “Seven”. | Working on the assignments. |
4) | Breaking-down a script and designing emotional rhythm. | Working on the assignments. |
5) | Designing visual system and all components of it. Other art forms to collaborate. | Working on the assignments. |
6) | Designing a shot with using graphic components in order to create dramatic tension. All considerations to make a coverage on a scene. | Working on the assignments. |
7) | Assessment for the assignment | Working on the assignments. |
8) | What is art What is Craft? Society, culture and target audience. | Working on the assignments. |
9) | Pre-visualizing, working with story boards. Pre production. | Working on the assignments. |
10) | Narrative use of light, camera and working with a director of photography. Comparison between film and digital. | Working on the assignments. |
11) | Directing T.V. Commercials. | Working on the assignments. |
12) | Directing music videos. Visual system on Experimental Filmmaking. | Working on the assignments. |
13) | Components of production designing. | Working on the assignments. |
14) | Cognitive perception of audience and manipulating emotions. | Final Project |
Course Notes / Textbooks: | Will be given weekly. |
References: | 1. Costello, D. & Iversen, M. (2010). Photography after conceptual art. Chichester, West Sussex, UK Malden, MA, USA Great Britain: Wiley-Blackwell Association of Art Historians. 2. Cotton, C. (2009). The photograph as contemporary art. London New York, N.Y: Thames & Hudson. 3. Freeman, M. (2007). The photographer's eye : composition and design for better digital photos. Boston: Focal Press. 4. Marien, M. (2006). Photography : a cultural history. London: Laurence King. 5. Smith, T. (2009). What is contemporary art. Chicago: The University of Chicago Press. |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 14 | % 10 |
Homework Assignments | 1 | % 40 |
Final | 1 | % 50 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 50 | |
PERCENTAGE OF FINAL WORK | % 50 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 4 | 56 |
Study Hours Out of Class | 13 | 5 | 65 |
Homework Assignments | 1 | 20 | 20 |
Final | 1 | 1 | 1 |
Total Workload | 142 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | As a world citizen, she is aware of global economic, political, social and ecological developments and trends. | 2 |
2) | He/she is equipped to closely follow the technological progress required by global and local dynamics and to continue learning. | 2 |
3) | Absorbs basic economic principles and analysis methods and uses them to evaluate daily events. | 2 |
4) | Uses quantitative and statistical tools to identify economic problems, analyze them, and share their findings with relevant stakeholders. | 2 |
5) | Understands the decision-making stages of economic units under existing constraints and incentives, examines the interactions and possible future effects of these decisions. | 1 |
6) | Comprehends new ways of doing business using digital technologies. and new market structures. | 2 |
7) | Takes critical approach to economic and social problems and develops analytical solutions. | 1 |
8) | Has the necessary mathematical equipment to produce analytical solutions and use quantitative research methods. | 2 |
9) | In the works he/she contributes, observes individual and social welfare together and with an ethical perspective. | 2 |
10) | Deals with economic problems with an interdisciplinary approach and seeks solutions by making use of different disciplines. | 1 |
11) | Generates original and innovative ideas in the works she/he contributes as part of a team. | 2 |