Language of instruction: |
English |
Type of course: |
Non-Departmental Elective |
Course Level: |
Bachelor’s Degree (First Cycle)
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Mode of Delivery: |
Face to face
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Course Coordinator : |
Dr. Öğr. Üyesi AYŞEGÜL AKDEMİR |
Recommended Optional Program Components: |
"." |
Course Objectives: |
The aim of this course is twofold: First, students will be introduced to the core ideas and concepts of anthropology such as culture, nature, ethnography, social stratifications, kinship systems, race, gender, marriage, sexuality, religion etc. Examples from various human groups around the globe will be used to develop an understanding of these core concepts, ideas and themes. Secondly, we will bring in these concepts and perspectives into our own lives to develop an informed analysis of the Turkish society. |
Week |
Subject |
Related Preparation |
1) |
Introduction and course outline |
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2) |
What is anthropology |
Horace Miner, “Body Ritual of the Nacirema” |
3) |
Origins of Anthropology |
Lavenda & Schultz, Chapter 1 |
4) |
Early anthropological theories: Social Evolutionism |
McGee & Warms “Nineteenth-Century Evoltionism” |
5) |
Early anthropological theories: Cultural Relativism |
McGee & Warms “Historical Particularism” |
6) |
Culture and colonial heritage |
Lavenda & Schultz, Chapter 2 |
7) |
Critique of ‘Culture’ |
Renato Rosaldo “The Erosion of Classic Norms” |
8) |
Midterm |
Course review and midterm |
9) |
Kinship and Descent |
Lavenda & Schultz, Chapter 9 |
10) |
Family |
Lavenda & Schultz, Chapter 9 cont'd. |
11) |
Marriage |
Lavenda & Schultz, Chapter 10 |
12) |
Sex and Gender |
Donna Haraway, “Is Female to Male as Nature Is to Culture” |
13) |
Gender inequalities |
Anne Fausto-Sterling, “The Five Sexes: Why Male and Female Are Not Enough” |
14) |
Nature / Culture I |
TBA |
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Program Outcomes |
Level of Contribution |
1) |
Knowledge of photographic and video media and ability to use basic, intermediate and advanced techniques of these media. |
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2) |
Ability to understand, analyze and evaluate theories, concepts and uses of photography and video. |
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3) |
Ability to employ theoretical knowledge in the areas of the use of photography and video. |
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4) |
Familiarity with and ability to review the historical literature in theoretical and practical studies in photography and video. |
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5) |
Ability in problem solving in relation to projects in photography and video. |
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6) |
Ability to generate innovative responses to particular and novel requirements in photography and video. |
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7) |
Understanding and appreciation of the roles and potentials of the image across visual culture |
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8) |
Ability to communicate distinctively by means of photographic and video images. |
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9) |
Experience of image post-production processes and ability to develop creative outcomes through this knowledge. |
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10) |
Knowledge of and ability to participate in the processes of production, distribution and use of photography and video in the media. |
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11) |
Ability to understand, analyze and evaluate global, regional and local problematics in visual culture. |
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12) |
Knowledge of and ability to make a significant contribution to the goals of public communication. |
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13) |
Enhancing creativity via interdisciplinary methods to develop skills for realizing projects. |
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14) |
Gaining general knowledge about the points of intersection of communication, art and technology. |
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