INTERIOR ARCHITECTURE AND ENVIRONMENTAL DESIGN | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
ACL4003 | Postmodern Literature | Fall | 3 | 0 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
Course Lecturer(s): |
Prof. Dr. GÖNÜL BAKAY Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
Recommended Optional Program Components: | none |
Course Objectives: | Students who take this course will be able to apply close reading techniques to selected works of postmodern literature and identify the distinctive elements of this genre. They will have acquired indepth knowledge of the evolution of postmodernism and postmodern literature in America and Europe.They will |
The students who have succeeded in this course; Students who complete this course will learn * to apply a variety of reading strategies, including making inferences, recognizing the organizational structure of texts. * to recognize the value of multiple perspectives and develop competence in giving and receiving constructive criticism. * to use terminology related to postmodernism • to identify themes and writing strategies common to postmodernism, • to discover what these novels all have in common, and how reading them together helps us form a basic understanding of the principles of postmodern literature. * to compare and differentiate between postmodern and other literary genres |
20th century postmodern novels by English and American writers |
Week | Subject | Related Preparation |
1) | Introduction to class | - |
2) | The Floating Opera | Reading |
3) | The Floating Opera | Reading |
4) | The Floating Opera | Reading |
5) | Cat’s Cradle | Reading |
6) | Cat’s Cradle | Reading |
7) | Cat’s Cradle | Reading |
8) | Review | Reading |
9) | A History of the World in 10 ½ Chapters | Reading |
10) | A History of the World in 10 ½ Chapters | Reading |
11) | A History of the World in 10 ½ Chapters | Reading |
12) | A History of the World in 10 ½ Chapters | Reading |
13) | Infinite Jest | Reading |
14) | Infinite Jest | Reading |
15) | Final | - |
16) | Final | - |
Course Notes / Textbooks: | The Floating Opera by John Barth (1956) Cat’s Cradle by Kurt Vonnegut (1969) A History of the World in 10 ½ Chapters by Julian Barnes (1989) Infinite Jest by David Foster Wallace (1996) |
References: | Postmodernism, or, The Cultural Logic of Late Capitalism by Frederick Jameson The Postmodern Condition: A Report on Knowledge by Jean-Francois Lyotard Postmodernism: A Very Short Introduction by Christopher Butler A Poetics of Postmodernism: History, Theory, Fiction by Linda Hutcheon |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 16 | % 10 |
Quizzes | 2 | % 20 |
Midterms | 1 | % 30 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 15 | 2 | 30 |
Quizzes | 2 | 10 | 20 |
Midterms | 1 | 20 | 20 |
Final | 1 | 32 | 32 |
Total Workload | 144 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Setting up various spaces in national and international contexts, carrying out designs, planning and applications that could satisfy various user groups and respond various requirements in the field of Interior Architecture, | |
2) | Analyzing the information gathered from the framework of actual physical, social and economical constraints and user requirements, and synthesizing these with diverse knowledge and considerations in order to create innovative spatial solutions, | |
3) | Generating creative, innovative, aesthetic and unique spatial solutions by using tangible and abstract concepts, | |
4) | Using at least one of the illustration and presentation technologies competently, that the field of interior architecture requires, | |
5) | Reporting, presenting and transferring the design, practice and research studies to the specialists or laymen by using visual, textual or oral communication methods, efficiently and accurately, | |
6) | Embracing and prioritizing man-environment relationships, user health, safety and security, and universal design principles in the field of interior architecture, | |
7) | Design understanding and decision making that respects social and cultural rights of the society, cultural heritage and nature, | |
8) | Being aware of national and international values, following developments and being equipped about ethical and aesthetical subjects in the fields of interior architecture, design and art, | |
9) | Having absolute conscious about legal regulations, standards and principles; and realizing professional ethics, duties and responsibilities in the field of Interior Architecture, |