ACL3005 American Poetry IBahçeşehir UniversityDegree Programs CARTOON AND ANIMATIONGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational QualificationsBologna Commission
CARTOON AND ANIMATION
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

Course Introduction and Application Information

Course Code Course Name Semester Theoretical Practical Credit ECTS
ACL3005 American Poetry I Fall 3 0 3 5
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester.

Basic information

Language of instruction: English
Type of course: Non-Departmental Elective
Course Level: Bachelor’s Degree (First Cycle)
Mode of Delivery: Face to face
Course Coordinator : Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN
Recommended Optional Program Components: None
Course Objectives: This course is an intensive study of the works of the major 19th Century American poets, considered in terms of critical theory, technique, and form. Students will learn to interpret American poets such as Anne Bradstreet, Edgar Allan Poe, Ralph Waldo Emerson, Walt Whitman & Emily Dickinson through recognition of the cultural strands that connect particular poems in a web of meanings, both social and historical.

Learning Outcomes

The students who have succeeded in this course;
1. The students will do an extensive reading of the 19th Century-American essays and poetry, especially that of the American Renaissance.
2. They will develop an insight about the beginnings of American poetry, especially about how poetry writing started in the US and how it developed towards being a major component of establishing a new nation.
3. They will develop an insight about the significance of poetry of individual, universal and national topics.
4. They will learn about the major literary movements of the 19th Century USA, namely romanticism, transcendentalism and realism.
5. They will learn about the Puritan influences in the works of the later poets.
6. They will learn about the basic ideas shaping the poet’s imagination and the most important concepts in the construction of a new Nation, during their Renaissance.
7. They will develop the ability to analyze and discuss major issues of American Poetry in the 19th Century both orally in class and in their essays in exams.

Course Content

Heath Anthology of American Literature, Vol I. Pp. 146-274,
Anne Bradstreet, “The Flesh and the Spirit” “To My Dear Loving Husband”
Edward Taylor “Huswifery”
Neo-Classicism & Philip Freneau, “The Indian Student”
Romanticism & William Cullen Bryant, “The Praries”, “Thanatopsis”, “The Yellow Violet”, “To a Waterfowl”, “The Poet”
Transcendentalism& Ralph Waldo Emerson Essays: “Nature” & “The American Scholar”, “The Transcendentalist”, “Self-Reliance”
Ralph Waldo Emerson, Poems: “The Rhodora”, “Each and All” & “The Snow-Storm”
Transcendentalism& Henry David Thoreau Essays: “On Civil Government” (Civil Disobedience)
Selected sections from Walden (Where I Lived, and What I Lived for)
Edgar Allan Poe: Essay, "The Philosophy of Composition"
Edgar Allan Poe:Poetry: “A Dream Within a Dream”, “To Helen”, “Annabel Lee”, “The Raven”
Realism & Walt Whitman “There Was a Child Went Forth” & Selections from Leaves of Grass
Transcendentalism & Walt Whitman, "Song of Myself”
Poetry of Consciousness & Emily Dickinson, “Presentiment”, “Success is counted sweetest” “If I can stop one Heart from breaking” “Apparently with no surprise” , “Much Madness is Divinest Sense”
“I taste a liquour never brewed”, “There’s a certain slant of light”, “After great pain, a formal feeling comes”, “I heard a Fly buzz – when I died”, “I felt a Funeral, in my Brain”

Weekly Detailed Course Contents

Week Subject Related Preparation
1) Transcendentalism & Henry David Thoreau Essays: “On Civil Government” (Civil Disobedience) Selected sections from Walden (Where I Lived, and What I Lived for)
1) Introduction, Pioneers, New Settlers, Puritanism Heath Anthology of American Literature, Vol I. Pp. 146-274
2) Anne Bradstreet, Edward Taylor “The Flesh and the Spirit” “To My Dear Loving Husband” “Huswifery”
3) Neo-Classicism & Philip Freneau “The Indian Student”
4) Romanticism & William Cullen Bryant “The Praries”, “Thanatopsis”, “The Yellow Violet”, “To a Waterfowl”, “The Poet”
5) Transcendentalism & Ralph Waldo Emerson Essays: “Nature” & “The American Scholar”, “The Transcendentalist”, “Self-Reliance”
6) Ralph Waldo Emerson Poems: “The Rhodora”, “Each and All” & “The Snow-Storm”
8) Review
9) Edgar Allan Poe The Philosophy of Composition
10) Edgar Allan Poe Poetry: “A Dream Within a Dream”, “To Helen”, “Annabel Lee”, “The Raven”
11) Realism & Walt Whitman “There Was a Child Went Forth” & Selections from Leaves of Grass
12) Realism, Transcendentalism & Walt Whitman “Song of Myself”
13) Walt Whitman “Song of Myself”
14) Poetry of Consciousness & Emily Dickinson “Presentiment”, “Success is counted sweetest” “If I can stop one Heart from breaking” “Apparently with no surprise” , “Much Madness is Divinest Sense”
15) Final Exam
16) Final Exam

Sources

Course Notes / Textbooks: Çeşitli Kaynaklar, teksirler, The Penguin Book of American Verse, ed. Geoffrey Moore & handouts.
References: Heath Anthology of American Literature, Vol. I.

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Attendance 9 % 10
Application 1 % 10
Quizzes 4 % 10
Midterms 1 % 30
Final 1 % 40
Total % 100
PERCENTAGE OF SEMESTER WORK % 60
PERCENTAGE OF FINAL WORK % 40
Total % 100

ECTS / Workload Table

Activities Number of Activities Duration (Hours) Workload
Course Hours 14 3 42
Project 1 5 5
Quizzes 4 10 40
Midterms 1 30 30
Final 1 30 30
Total Workload 147

Contribution of Learning Outcomes to Programme Outcomes

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) To have theoretical and practical knowledge and skills in cartoon and animation.
2) To be able to develop research, observation-experience, evaluation skills in the field of cartoon and animation and effectively communicate ideas, convincing actions and emotions using cartoon and animation and performance principles in every direction.
3) Making animated films with various artistic styles and techniques.
4) Designing the cartoon and animation production process using initiative, applying it with creativity and presenting it with personal style.
5) To be a team member in the production process of cartoon and animations, to be able to take responsibility and manage the team members under their responsibility and to lead them.
6) To be able to evaluate cartoon and animations in the framework of their knowledge and skills.
7) To be able to define and manage learning requirements in the field of cartoon and animation.
8) To be able to communicate with related organizations by sharing scientific and artistic works in cartoon and animation and to share information and skills in the field.
9) To monitor developments in the field of cartoon and animation using foreign languages ​​and to communicate with foreign colleagues.
10) To be able to use general information and communication technologies at advanced level with all kinds of technical tools and computer software used in cartoon and animations.
11) Using critical thinking skills and problem solving strategies in all aspects of development and production, effectively communicating ideas, emotions and intentions visually, verbally and in writing, and effectively incorporating technology in the development of cartoon and animation projects.
12) To have sufficient knowledge about ethical values ​​and universal values ​​in the field of cartoon and animation.