Language of instruction: |
English |
Type of course: |
Non-Departmental Elective |
Course Level: |
Bachelor’s Degree (First Cycle)
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Mode of Delivery: |
Face to face
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Course Coordinator : |
Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN |
Course Lecturer(s): |
Dr. Öğr. Üyesi HATİCE ÖVGÜ TÜZÜN
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Recommended Optional Program Components: |
None |
Course Objectives: |
Introducing the novel as a literary form, the course will trace the development of the novel in America from 1800 to 1900. Readings will include stories and novels by W. Irving, N. Hawthorne, H. Melville, M. Twain, T. Dreiser, J. London, O Henry and K. Chopin, together with the study of the literary movements they represent. |
Week |
Subject |
Related Preparation |
1) |
Introduction to the beginnings of American Literary history. Puritanism and the age of the Pioneers, first settlers and their dreams and fears. Colonial Period to 1700 |
Heath Anthology, selected pages between: 3-1178 |
2) |
The Beginnings of American Fiction: Romanticism/Transcendentalism |
Heath Anthology selected pages between: 1180-1215 |
3) |
Washington Irving |
“The Legend of Sleepy Hollow” |
4) |
Nathaniel Hawthorne |
The Scarlet Letter |
5) |
Nathaniel Hawthorne |
The Scarlet Letter |
6) |
Edgar Allan Poe |
“The Fall of the House of Usher” |
7) |
Review |
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8) |
Realism & Local Color Fiction: Mark Twain |
The Adventures of Huckleberry Finn |
9) |
Realism & Local Color Fiction: Mark Twain |
The Adventures of Huckleberry Finn |
10) |
Mark Twain |
The Adventures of Huckleberry Finn |
11) |
Naturalism, Jack London |
“To Build a Fire” |
12) |
Naturalism, O Henry (William Sydney Porter) |
“Psyche & Pskyscraper” |
13) |
Naturalism, Theodore Dreiser |
Sister Carrie |
14) |
Naturalism, Theodore Dreiser |
Sister Carrie |
15) |
Final Exam |
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16) |
Final Exam |
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Course Notes / Textbooks: |
Okuma Listesi: “The Legend of Sleepy Hollow”, The Scarlet Letter, “The Fall of the House of Usher”, “Bartleby, the Scrivener”, The Adventures of Huckleberry Finn, “To Build a Fire”, “Psyche & Pskyscraper”, Sister Carrie, The Awakening.
The Heath Anthology of American Literature, Vol. I. Lexington, Massachusetts: D.C. Heath & Co., 1990. |
References: |
the reading list (“The Legend of Sleepy Hollow”, The Scarlet Letter, “The Fall of the House of Usher”, “Bartleby, the Scrivener”, The Adventures of Huckleberry Finn, “To Build a Fire”, “Psyche & Pskyscraper”, Sister Carrie, The Awakening
The Heath Anthology of American Literature, Vol. I. Lexington, Massachusetts: D.C. Heath & Co., 1990. |
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Program Outcomes |
Level of Contribution |
1) |
To have theoretical and practical knowledge and skills in cartoon and animation. |
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2) |
To be able to develop research, observation-experience, evaluation skills in the field of cartoon and animation and effectively communicate ideas, convincing actions and emotions using cartoon and animation and performance principles in every direction. |
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3) |
Making animated films with various artistic styles and techniques. |
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4) |
Designing the cartoon and animation production process using initiative, applying it with creativity and presenting it with personal style. |
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5) |
To be a team member in the production process of cartoon and animations, to be able to take responsibility and manage the team members under their responsibility and to lead them. |
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6) |
To be able to evaluate cartoon and animations in the framework of their knowledge and skills. |
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7) |
To be able to define and manage learning requirements in the field of cartoon and animation. |
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8) |
To be able to communicate with related organizations by sharing scientific and artistic works in cartoon and animation and to share information and skills in the field. |
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9) |
To monitor developments in the field of cartoon and animation using foreign languages and to communicate with foreign colleagues. |
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10) |
To be able to use general information and communication technologies at advanced level with all kinds of technical tools and computer software used in cartoon and animations. |
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11) |
Using critical thinking skills and problem solving strategies in all aspects of development and production, effectively communicating ideas, emotions and intentions visually, verbally and in writing, and effectively incorporating technology in the development of cartoon and animation projects. |
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12) |
To have sufficient knowledge about ethical values and universal values in the field of cartoon and animation. |
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