| MEDICINE | |||||
| Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 | ||
| Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
| GEP0133 | 20th Century Music | Fall | 3 | 0 | 3 | 4 |
| This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
| Language of instruction: | English |
| Type of course: | GE-Elective |
| Course Level: | Bachelor’s Degree (First Cycle) |
| Mode of Delivery: | Face to face |
| Course Coordinator : | Dr. BURCU ALARSLAN ULUDAŞ |
| Course Lecturer(s): |
Instructor CELAL ELDENİZ |
| Recommended Optional Program Components: | none |
| Course Objectives: | To provide a general knowledge of Modern and Contemporary music produced in Europe, Russia, USA and Turkey as of the beginning of the 20th century till today, including brief explanations on the interaction between Contemporary Music and other more popular genres such as Blues, Jazz, Rock’n’Roll, Electronic Music etc. |
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The students who have succeeded in this course; The students who have succeeded in this course are able to; 1) talk about the main composers of the 20th and 21st centuries and related thought currents. 2) recognize the works and sound imagery of these composers and discern their works upon hearing them 3) distinguish different periods by their sound imagery 4) explain the key paradigms of aesthetic philosophy as of 1900's till today 5) know the paradigms and how they influenced specific composers and thus the genesis of different music currents 6) understand and explain the development of western art music in Turkey, recognize main Turkish composers such as the Turkish Five on hearing their works. 7) use the adequate terminology to describe contemporary music |
| Modernism, Nationalism, Minimalism, Post-Minimalism, Neo-Romanticisim, The Great War, WWII, Vietnam War, Atonality, 12-tone Music, Serialism. "Entartete Musik", Post-Modernism, Jazz, Rock, Metal Music. |
| Week | Subject | Related Preparation |
| 1) | Introduction. Music and Culture. | |
| 2) | The Concept of Music according to Linguistics, Physics, Sociology and Aesthetics. | Reading: “Why We Sing” from Music Instinct by P. Ball |
| 3) | Historical Background : Music in East & Music in Antiquity Medieval Age, Renaissance, Baroque Music, Classical and Romantic Periods of Music History | Reading: Hand-Out by Celâl Eldeniz |
| 4) | Historical Background : Music in East & Music in Antiquity Medieval Age, Renaissance, Baroque Music, Classical and Romantic Periods of Music History | Reading: Hand-Out by Celâl Eldeniz |
| 5) | Historical Background : Music in East & Music in Antiquity Medieval Age, Renaissance, Baroque Music, Classical and Romantic Periods of Music History | Reading: Hand-Out by Celâl Eldeniz |
| 6) | PART II-PRE-WAR PERIOD Basic Music Theory-Physics of Sound Basic Music Theory-Musical Terms | Readings: 1. Listener’s Guide (via E-mail) 2. Notes on Music Theory by Celâl Eldeniz |
| 7) | Introduction to Modern and Contemporary Periods of Music History Pre-War Period I Movements, Techniques, Composers: Post-Wagnerian: Mahler, Strauss Spanish Nationalism: Albeniz, De Falla, Granados South America: Villa-Lobos Italy: Puccini Other Parts of Europe: Janacek, Sibelius | Readings: 1. Hand-Out by Celâl Eldeniz Pre-War Period II: Impressionism, French Avant-Gardes, Les Decadents, Les Six. Movements, Techniques, Composers: France: (Romanticism) Saint-Saëns, Fauré, (Impressionism) Debussy, Ravel, (neoclassicism) Satie, Les Six (Milhaud, Poulenc and others) Readings: Hand-Out by Celâl Eldeniz |
| 8) | Pre-War Period III: A Reaction to Avant-Garde: Tonal- Atonal, Second Viennese School, Twelve-Tone System | Movements, Techniques, Composers: Second Viennese School/Expressionism: Schönberg, Berg, and Webern Neo-Classicism USSR: Rachmaninov, Scriabin, (neo-classicism) Stravinski, Prokofiev, (neoromanticism) Shostakovich |
| 9) | PART III-THE PERIOD BETWEEN THE WARS Between the Wars in America: Jazz Music & Visual Arts: Musical Theatre. Movements, Techniques, Composers: Jazz Influenced Music: Gershwin, Bernstein Midterm Exam (13.11.2019, (After covering topics in first half of the class )13.20 - 14.20, H 101) Submission of Midterm Projects | Videos (Not a must, Optional): 1. Documentary : Blues America 2. Some of the Jazz Documentaries on-line 3. The Music that Made the Movies (3 Parts) |
| 10) | Around WWII: Neue Sachlichkeit, Gebrauchsmusik, Entartete Musik, Electronische Musik. British and American Contemporary Classical Music | Movements, Techniques, Composers: British Music: (Socialism) Holst, Williams, (neo-romanticism) Britten Electronic Music: Varèse Microtonal Music: Charles Ives Utility Music: Hindemith, Weill, Copland |
| 11) | AFTER-WAR PERIOD Serialism, Musical Primitivism, Futurism, Neo-Romanticism, Eclecticism | Movements, Techniques, Composers: Serialism & Total Serialism: Stockhausen, Boulez, Berio, Krenek Folklorism/Musical Primitivism: Bartok Futurism: Russolo Neo-Romanticism: Barber Polystilism/Eclecticism: Schnittke, Cowell, Messiaen |
| 12) | Indeterminism, Texturalism, Computer Music, Minimalism | Movements, Techniques, Composers: Aleatoric Music/Indeterminism: John Cage, Xenakis Texturalism: Ligeti Computer Music: Max Mathews Minimalism: Philip Glass, Steve Reich, John Adams |
| 13) | New Simplicity, New Complexity, Musical Historicism, Rock Influenced Music, Rock Music and Pop Music | New Simplicity: Reimann New Complexity: Osborne Musical Historicism: Benjamin Bagby Rock Influenced Music: Scott Johnson, John Zorn |
| 14) | Putting it all together. Revision and General Discussion. | Screening : Documentary: The Sound and The Fury: A Century of Modern Music |
| 15) | MODERN AND CONTEMPORARY MUSIC IN TURKEY | Modern and Contemporary Music in Turkey Make a Research. TBA Final Exam (Exam Date and place TBA) Submission of Self-Evaluation Papers Resources |
| Course Notes / Textbooks: | Class Notes and Hand-Outs • Notes on Music Theory by Celâl Eldeniz • Hand-outs on Music History by Celâl Eldeniz Course Text Book: • Copland, New Music (in the copy center) |
| References: | Secondary Resources: • Nicholas Cook, The Cambridge History of Twentieth-Century Music • Nicholas Cook, Music: A Very Short Introduction, Oxford University Press (Çeviri: “Müziğin ABC’si”) • Peter Wicke, From Mozart to Madonna: A Cultural History of Pop Music • Burkholder, Grout, Palisca, A History of Western Music, 8th Edition • Burkholder, Palisca, Norton Anthology of Western Music, 5th Edition • Weiss, Taruskin, Music in the Western World: A History in Documents • Alex Ross, The Rest is Noise: Music in the 20th Century • Frisch, Music in the 20th and 21st Centuries • Ashby, The Future of Modernist Music |
| Semester Requirements | Number of Activities | Level of Contribution |
| Total | % | |
| PERCENTAGE OF SEMESTER WORK | % 0 | |
| PERCENTAGE OF FINAL WORK | % | |
| Total | % | |
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | Integrates the knowledge, skills and attitudes acquired from basic and clinical medical sciences, behavioral sciences and social sciences, and uses them in health service delivery. | |
| 2) | In patient management, shows a biopsychosocial approach that takes into account the socio-demographic and sociocultural background of the individual, regardless of language, religion, race and gender. | |
| 3) | In the provision of health services, prioritizes the protection and development of the health of individuals and society. | |
| 4) | Taking into account the individual, societal, social and environmental factors affecting health; does the necessary work to maintain and improve the state of health. | |
| 5) | By recognizing the characteristics, needs and expectations of the target audience, provides health education to healthy/sick individuals and their relatives and other healthcare professionals. | |
| 6) | Shows a safe, rational and effective approach in health service delivery, prevention, diagnosis, treatment, follow-up and rehabilitation processes. | |
| 7) | Performs invasive and/or non-invasive procedures in diagnosis, treatment, follow-up and rehabilitation processes in a safe and effective way for the patient. | |
| 8) | Provides health services by considering patient and employee health and safety. | |
| 9) | In the provision of health services, takes into account the changes in the physical and socioeconomic environment on a regional and global scale, as well as the changes in the individual characteristics and behaviors of the people who apply to it. | |
| 10) | Takes good medical practice into account while carrying out his/her profession. | |
| 11) | Fulfills its duties and obligations within the framework of ethical principles, rights and legal responsibilities required by its profession. | |
| 12) | Demonstrates decisive behavior in providing high-quality health care, taking into account the integrity of the patient. | |
| 13) | Evaluates his/her performance in his/her professional practice by considering his/her emotions and cognitive characteristics. | |
| 14) | Advocates improving the provision of health services by considering the concepts of social reliability and social responsibility for the protection and development of public health. | |
| 15) | Can plan and carry out service delivery, training and consultancy processes related to individual and community health in cooperation with all components for the protection and development of health. | |
| 16) | Evaluates the impact of health policies and practices on individual and community health indicators and advocates increasing the quality of health services. | |
| 17) | The physician attaches importance to the protection of his/her own physical, mental and social health, and does what is necessary for this | |
| 18) | Shows exemplary behavior and leads the healthcare team during service delivery. | |
| 19) | Uses resources cost-effectively, for the benefit of society and in accordance with the legislation, in the planning, implementation and evaluation processes of health services in the health institution he/she is the manager of. | |
| 20) | Establishes positive communication within the health team it serves and assumes different team roles when necessary. | |
| 21) | Is aware of the duties and responsibilities of the health workers in the health team and acts accordingly. | |
| 22) | In the professional practices, works in harmony and effectively with the colleagues and other professional groups. | |
| 23) | Communicates effectively with patients, their relatives, healthcare professionals, other professional groups, institutions and organizations. | |
| 24) | Communicates effectively with individuals and groups that require a special approach and have different socio-cultural characteristics. | |
| 25) | In the diagnosis, treatment, follow-up and rehabilitation processes, shows a patient-centered approach that associates the patient with the decision-making mechanisms. | |
| 26) | Plans and implements scientific research, when necessary, for the population it serves, and uses the results and/or the results of other research for the benefit of the society. | |
| 27) | Reaches and critically evaluates current literature knowledge about his/her profession. | |
| 28) | Applies the principles of evidence-based medicine in clinical decision making. | |
| 29) | Uses information technologies to increase the effectiveness of its work on health care, research and education. | |
| 30) | Effectively manages individual work processes and career development. | |
| 31) | Demonstrates skills in acquiring and evaluating new knowledge, integrating it with existing knowledge, applying it to professional situations and adapting to changing conditions throughout professional life. | |
| 32) | Selects the right learning resources to improve the quality of the health service it offers, organizes its own learning process |