MOLECULAR BIOLOGY AND GENETICS | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
FTV3911 | Cinema and Dramaturgy I | Fall | 3 | 0 | 3 | 5 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | English |
Type of course: | Non-Departmental Elective |
Course Level: | Bachelor’s Degree (First Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Prof. Dr. NİLAY ULUSOY |
Course Objectives: | The objective of the course is to highlight the significance of questioning how cinema could make use of dramaturgy in scriptwriting shooting and editing. It is also to understand the tools of classical dramaturgy, develop dramaturgical perspective and insight. |
The students who have succeeded in this course; 1. Identify the basic concepts of dramaturgy. 2. Will be able to make use of dramaturgy during script writing. 3. Will be able to make use of dramaturgy during the shooting process. 4. Develop a dramaturgical perspective. 5. Will be able to critically analyze film productions using dramaturgical principles to identify strengths and areas for improvement. |
General content of the course are on understanding tragedy in its ancient to modern forms, understanding dramaturgical rules of classical Hollywood narrative cinema and developing an authentic dramaturgical perspective through the analysis of the films of Reha Erdem. In this course, instruction is delivered through interactive lectures, film screenings, group discussions, and case studies, while student performance is evaluated through written assignments, projects, and in-class participation. |
Week | Subject | Related Preparation |
1) | Historical Development of the concept of Dramatugy and the Function of dramaturgy | Readings on Aristotle, Lessing, Brecht, Boal ve Barba |
2) | Methods of Dramaturgy and dramaturgical perspective | Relationship between theatre dramaturgy and film dramaturgy |
3) | Basic Concepts of classical dramaturgy | Readings on Aristotles Poetics and King Oedipus |
4) | Reinterpretation of Poetics, Classical Narrative Hollywood Cinema | Spielberg's Jaws and Ibsen's Enemy of People |
5) | Tragedy and Shakespeare dramatugy | Reading Joseph Campbell's 'The Hero's Journey' and Hamlet |
6) | Ancient and modern tragedy | Elia Kazan film of A Streetcar Named Desire and Tennesse Williams readings |
7) | Klasik anlatı kavramları üzerinden film analizleri | |
8) | Narrative Theory, Russian Formalists | |
9) | Story- Plot- Structure relationship | |
10) | Story - Plot- Structure relationship: Discussions on a film: Oh Moon | Readings on Sevim Burak's Yanık Saraylar |
11) | Redefine the essential tools of classical narrative | A film of Reha Erdem: Korkuyorum Anne |
12) | Time and space | Time and Space in Reha Erdem's Hayat Var |
13) | Dramaturgical Coherence | Reha Erdem'in filmi Kosmos'un izlenemesi |
14) | An overview of dramaturgical perspectives by going over Reha erdem films |
Course Notes / Textbooks: | Here are the references in APA format: 1. Shakespeare, W. (2012). *Hamlet*. 2. Williams, T. (2009). *Arzu Tramvayı* (*A Streetcar Named Desire*). 3. Sophokles. (2012). *Kral Oidipus* (*Oedipus Rex*). 4. Aristoteles. (2011). *Poetika* (*Poetics*). 5. Genette, G. (2007). *Anlatının Söylemi: Yöntem Hakkında Bir Deneme* (*Narrative Discourse: An Essay in Method*). 6. Bordwell, D. (1985). *Narration in the Fiction Film*. Madison: University of Wisconsin Press. |
References: | Here are the references in APA format: 1. Shakespeare, W. (2012). *Hamlet*. 2. Williams, T. (2009). *Arzu Tramvayı* (*A Streetcar Named Desire*). 3. Sophokles. (2012). *Kral Oidipus* (*Oedipus Rex*). 4. Aristoteles. (2011). *Poetika* (*Poetics*). 5. Genette, G. (2007). *Anlatının Söylemi: Yöntem Hakkında Bir Deneme* (*Narrative Discourse: An Essay in Method*). 6. Bordwell, D. (1985). *Narration in the Fiction Film*. Madison: University of Wisconsin Press. |
Semester Requirements | Number of Activities | Level of Contribution |
Presentation | 2 | % 30 |
Midterms | 1 | % 30 |
Final | 1 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 60 | |
PERCENTAGE OF FINAL WORK | % 40 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 12 | 3 | 36 |
Presentations / Seminar | 2 | 20 | 40 |
Midterms | 1 | 4 | 4 |
Final | 1 | 4 | 4 |
Total Workload | 126 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Acquire an ability to compile and analyze biological information, clearly present and discuss the conclusions, the inferred knowledge and the arguments behind them both in oral and written format. | 3 |
2) | Utilize the wealth of information stored in computer databases to answer basic biological questions and solve problems such as diagnosis and treatment of diseases. | 4 |
3) | Develop critical, creative and analytical thinking skills. | 5 |
4) | Develop effective communication skills and have competence in scientific speaking, reading and writing abilities in English and Turkish. | 3 |
5) | Gain knowledge of different techniques and methods used in genetics and acquire the relevant laboratory skills. | 4 |
6) | Detect biological problems, learn to make hypothesis and solve the hypothesis by using variety of experimental and observational methods. | 4 |
7) | Gain knowledge of methods for collecting quantitative and qualitative data and obtain the related skills. | 3 |
8) | Conduct research through paying attention to ethics, human values and rights. Pay special attention to confidentiality of information while working with human subjects. | 5 |
9) | Obtain basic concepts used in theory and practices of molecular biology and genetics and establish associations between them. | 4 |
10) | Search and use literature to improve himself/herself and follow recent developments in science and technology. | 5 |
11) | Be aware of the national and international problems in the field and search for solutions. | 4 |