OPTICIANRY (TURKISH) | |||||
Associate | TR-NQF-HE: Level 5 | QF-EHEA: Short Cycle | EQF-LLL: Level 5 |
Course Code | Course Name | Semester | Theoretical | Practical | Credit | ECTS |
GEP1703 | Contemporary Turkish Literature | Fall | 3 | 0 | 3 | 3 |
This catalog is for information purposes. Course status is determined by the relevant department at the beginning of semester. |
Language of instruction: | Turkish |
Type of course: | GE-Elective |
Course Level: | Associate (Short Cycle) |
Mode of Delivery: | Face to face |
Course Coordinator : | Dr. BURCU ALARSLAN ULUDAŞ |
Recommended Optional Program Components: | None |
Course Objectives: | This course aims at improving the students’ sensitivity and taste in the general sense of Turkish literature, especially fantasy in Turkish literature. It is designed to discuss theory of fantasy through texts in literature which requires dealing with other social disciplines such as psychoanalyses, cinema, history, philosophy etc. The main part of the course emphasizes Ottoman/Turkish modernization which determines the tendency of writing style in Turkish literature. This emphasis through literary works gives the opportunity to argue the modernization process and sociopolitical events of the late 19th century up to 2000's. |
The students who have succeeded in this course; The students who succeeded in this course will learn the tools, methods and insights necessary for them to approach and read texts critically. The student will develop the ability of interpretive and critical reading. As a result of focusing on “fantastic novel genre” throughout the course he/she will have the ability for distinguishing literary genres and discussing the determination of genre process. Focusing on the history of Turkish fantastic novels requires to interrogate Ottoman/Turkish modernization, that’s why she/he will get general information sociopolitical circumstances of Turkey from late 19th century up to 2000's and find the opportunity to questionize literary and social dynamics. Reading fantastic novels also is an interesting experience which gives a chance to the student go beyond the ordinary, material, rationally predictable world and make he/she more creative. |
The Theory of Fantastic Literature: Distinguishing fantastic genre from other close genres, the distinctive features of fantastic, its function. Fantastic Novel in Turkish Literature: The general overview of Turkish literature. Searching the social and literary atmosphere which generates the novel, locating fantastic novel in this atmosphere. The role of fantastic novel as a tool and its function in Analyzing/Criticizing/Interpretation: Reading, discussing and interpreting of selected fantastic novels from Turkish literature. |
Week | Subject | Related Preparation |
1) | General information about the course | Course syllabus |
2) | Introduction to Fantastic Literary Theory | Pierre Jourde,ve Paolo Tortorese. "Fantastik: Mantık İçin Bir Skandal”. Çev. Esra Özdoğan, Kitap-lık. S. 66 (Kasım 2003): 79-81. Nihayet Arslan, “Fantastik Nedir? “Yeni Bir Tür: 19.yüzyılda Fantastik:”, Nazlı Eray: Bir Okuma Denemesi, Ankara: Phonex, 2008: 5-20. |
3) | Fantastic Literary Theory | Tzvetan Todorov, Fantastik: Edebi Türe Yapısal Bir Yaklaşım. Çev. Nedret Tanyolaç Öztokat, İstanbul: Metis, 2004: 30-46, 47-63. Jean-Luc. Steinmetz, “İzlekler,”Fantastik Edebiyat. Çev. Hasan Fehmi Nemli, İstanbul: Dost, 2006: 30-45. |
4) | Novel in Turkish Literature | Güzin Dino, Türk Romanının Doğuşu. İstanbul: Cem Yayınları, 1978: 13-15. Robert P. Finn, Türk Romanı (İlk Dönem 1872-1900), Çev. Tomris Uyar, İstanbul: Bilgi Yayınevi, 1984: 9-16. Zeynep Uysal-Elkatip, “‘Modernleşen’ Türk Edebiyatına Bir Bakış.” Toplum ve Bilim. S. 81 (Yaz 1999): 127-137. |
5) | Discussing of Novel | Hüseyin Rahmi Gürpınar, Ölüler Yaşıyor mu? |
6) | Discussing of Novel and Film (From Literature to Cinema: Drakula İstanbul’da) | Ali Rıza Seyfi, Drakula İstanbul’da |
7) | Discussing of Novel | Kerime Nadir, Dehşet Gecesi Kaya Özkaracalar, “Türkiye’de Gotik”, Gotik. İstanbul: L&M Yayınları, 2005: 62-78. |
8) | Discussing of Novel | Süleyman Seyfi Öğün,“Türk Muhafazakârlığının Kültür Kökleri ve Peyami Safa’nın Yanılgısı”. Toplum ve Bilim. S. 74 (Güz 1997): 102-152 David Adams Leeming, Flights: Readings in Magic, Mysticism, Fantasy and Myth. New York: Harcourt Brace Jovanovich, Inc., 1974: 3-10. Peyami Safa, Matmazel Noraliya’nın Koltuğu |
9) | Fantasy in Today (From Literature to Cinema: Alice in Wonderland) | Eric R. Rabkin, Fantastic Worlds: Myths, Tales and Stories. Toronto ve Melbourne: Oxford University Press, 1979: 3-26. |
10) | Textual Analyzing | Rosemary Jackson, Fantasy: The Literature of Subversion. London: Routledge, 2003: 1-10, 61-91, 171-180. Ahmet Hamdi Tanpınar, “Abdullah Efendi’nin Rüyaları” |
11) | Textual Analyzing and Discussing of Film (From Literature to Cinema: Şahmaran) | Sigmund Freud, Sanat ve Edebiyat. Çev. Emre Kapkın, Ayşe Tekşen Kapkın, İstanbul: Payel Yayınevi, 1999: 325-359. Murathan Mungan, “Şahmeran’ın Bacakları” |
12) | Discussing of Novel | W. R. Irwin, The Game of Impossible: A Rhetoric of Fantasy. Urbana: University of Illinois Press, 1976: 3-10, 89-100, 183-197. Nazlı Eray, Aşkı Giyinen Adam |
13) | Discussing of Novel and Film (From Literature to Cinema: The Lord of the Rings ) | Bülent Somay, “Freudo Baggins’in Motor Yolculuğu: Bir Psikanaliz Olarak Fantazi Edebiyatı”, Tarihin Bilinçdışı, İstanbul, Metis, 2003: 98-119. |
14) | Discussing of Novel | Brian Atterbery, The Fantasy Tradition in American Literature. Bloomington: Indiana University Press, 1980: 1-15. David Adams Leeming, Flights: Readings in Magic, Mysticism, Fantasy and Myth. New York: Harcourt Brace Jovanovich, Inc., 1974: 178-196, 258-261. Barış Müstecaplıoğlu, Korkak ve Canavar |
Course Notes / Textbooks: | Pelin Aslan tarafından derlenen GEP 1210 kitabı Hüseyin Rahmi Gürpınar, Ölüler Yaşıyor mu? İstanbul: Atlas Kitabevi, 1975. Ali Rıza Seyfi, Drakula İstanbul’da, İstanbul: Kamer, 1997. Kerime Nadir, Dehşet Gecesi, İstanbul: Sulhi Garan Matbaası, 1958. Peyami Safa, Matmazel Noraliya’nın Koltuğu. İstanbul: Ötüken Yayınevi, 1974. Nazlı Eray, Aşkı Giyinen Adam, İstanbul: Doğan Kitap, 2001. Barış Müstecaplıoğlu, Korkak ve Canavar, İstanbul: Metis, 2001. |
References: | David Sander, Fantastic Literature: A Critical Reader. London: Westport ve Connecticut, 2004. Rosemary Jackson, Fantasy: The Literature of Subversion. London: Routledge, 2003. Eric R. Rabkin, The Fantastic in Literature. New Jersey: Princeton University Press, 1977. Tzvetan Todorov, Fantastik: Edebi Türe Yapısal Bir Yaklaşım. Çev. Nedret Tanyolaç Öztokat, İstanbul: Metis, 2004. |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 14 | % 10 |
Homework Assignments | 2 | % 10 |
Midterms | 1 | % 30 |
Final | 1 | % 50 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 50 | |
PERCENTAGE OF FINAL WORK | % 50 | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Study Hours Out of Class | 13 | 2 | 26 |
Homework Assignments | 2 | 3 | 6 |
Midterms | 1 | 10 | 10 |
Final | 1 | 15 | 15 |
Total Workload | 99 |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To be able to evaluate and apply the knowledge gained from theoretical and practical courses related to the field professionally | |
2) | To be able to use terminology specific to the health field effectively | |
3) | To know the legislation regarding his/her duties, rights and responsibilities and to act in accordance with professional ethical rules | |
4) | To be able to use information and communication technologies on issues related to his/her field and effectively convey his/her professional knowledge through written, verbal and non-verbal communication | |
5) | To be able to follow information in his/her field using a foreign language at a basic level | |
6) | To be able to apply changing techniques and use new tools and devices depending on developing technology | |
7) | To be able to update his/her knowledge, skills and competencies related to his/her field with the awareness of lifelong learning and improve himself/herself personally and professionally | |
8) | To have knowledge of basic vision devices such as glasses, contact lenses and low vision devices (telescopic products, etc.) | |
9) | To be able to select, sell and prepare basic vision devices according to the prescription and ensure their adaptation to the user | |
10) | To be able to measure the diopter of prescription glasses and contact lenses and make the necessary adjustments for their fitting |