Week |
Subject |
Related Preparation |
1) |
Introducing Genre Theory |
Reading the assigned articles |
1) |
Introduction to the class |
|
2) |
Different Approaches to Genres |
Reading the assigned articles |
3) |
Three Incompatible Fields: Ideology, Genre, Auteur |
Reading the assigned articles |
4) |
Major Genres I: Melodrama |
Reading the assigned articles |
5) |
Major Genres II: Western |
Reading the assigned articles |
6) |
Major Film Genres III: Horror |
Gerekli okumalar |
7) |
Major Film Genres IV: Science Fiction |
|
8) |
Fringe Genres: Road Movies |
Reading the assigned articles |
9) |
Fringe Genres II: American Independent Cinema |
Reading the Assigned articles |
10) |
Mix Genres I: Western Meets Science Fiction |
Reading the assigned articles |
11) |
Mix Genres II: Melodrama meets Thriller |
Reading the assigned articles |
12) |
An all assimilating and Transforming Genre: Film Noir |
Reading the assigned articles |
13) |
Understanding Hyper-Genres |
Reading the assigned articles |
14) |
Review |
|
|
Program Outcomes |
Level of Contribution |
1) |
Being familiar to the main concepts and methods of the social sciences and the fine arts devoted to understanding the world and the society |
5 |
2) |
Having comprehensive knowledge regarding different media and branches of art |
5 |
3) |
Knowing the historical background of audio-visual moving images in the world and in Turkey and keeping pace with the new developments in the area |
5 |
4) |
Having a good command of the language and the aesthetics of audio-visual moving images in the world and in Turkey |
5 |
5) |
Being able to create a narrative that could be used in a fiction or a non-fiction audio-visual moving image product |
|
6) |
Being able to write a script ready to be shot |
|
7) |
Having the skills to produce the photoboard of a script in hand and to shoot the film using the camera, the lights and other necessary equipment |
|
8) |
Being able to transfer the footage of a film to the digital medium, to edit and do other post-production operations |
|
9) |
Being able to create a documentary audio visual moving image from the preliminary sketch stage to shooting, editing and post-production stages |
|
10) |
Being able to produce an audio visual moving image for television and audio products for radio from preliminary stages through shooting and editing to the post-production stage |
|
11) |
Being culturally and theoretically equipped to make sense of an audio-visual moving image, to approach it critically with regard to its language and narration and being able to express his/her approach in black and white |
5 |
12) |
Having ethical values and a sense of social responsibility |
5 |