PERFORMING ARTS | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | ELT5003 | ||||||||
Ders İsmi: | Recent Trends and Special Topics in ELT | ||||||||
Ders Yarıyılı: |
Spring Fall |
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Ders Kredileri: |
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Language of instruction: | English | ||||||||
Ders Koşulu: | |||||||||
Ders İş Deneyimini Gerektiriyor mu?: | No | ||||||||
Type of course: | Non-Departmental Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr. Öğr. Üyesi HATİME ÇİFTÇİ | ||||||||
Course Lecturer(s): | |||||||||
Course Assistants: |
Course Objectives: | ELT 5003 engages the student-teacher in in-depth discussion of such issues as CLIL, SIOP, English as Lingua Franca, World Englishes, NNEST issues, The Common European Framework, English Language Portfolio and alternative methods of assessment as well as change management. An increased familiarity with these concepts will provide alternative lenses through which the student-teacher may view, analyze, and reconceptualize his/her approach and classroom practice. |
Course Content: | Participants of this course are expected to present 2 recent articles related to a recent trend in ELT and write reflection reports on the articles to be presented for each week. At the end of the course, the student-teacher will write a detailed report on the current situation in Turkey or another country with which the student-teacher is familiar. The report will address ELT issues and/or problems and propose possible solutions. For this report, the participants are expected to survey related academic journals and books. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Course Introduction | |
2) | Distinguishing between quantitative & qualitative research topics; formulating research questions | When to Use Qualitative Research: Patton Chapter 1; Minichiello & Kottler pp. 18-21 |
3) | Focus on Qualitative Research Methods | Marshall &Rossman Chapters 2 & 6 |
4) | Continued Discussion of Methods from Marshall & Rossman Chapter 6 | Refer to the reading from week 3. |
5) | Focus on revision of research questions, assignment of research methodology, action research, and types of purposeful sampling | Minichiello and Kottler Chapter 6: “When Serendipity Meets Opportunity” |
6) | Focus on Managing, Analyzing, and Interpreting Data (Marshall & Rossman Chapter 8), triangulation, and ethical considerations | Marshall & Rossman pp. 251-255 (Criteria of Soundness) |
7) | Sheltered Instruction Observation Protocol (SIOP) | Lesson Plan Checklist for SIOP |
8) | Common European Framework Computer-Mediated Communication | Sun, Y-C. (2009). Voice Blog: An Exploratory Study of Language Learning. Language Learning and Technology 13 (2) 88-103. North, B. (2008). The Relevance of the CEFR to Teacher Training. Babylonia 2/08 55-57. Accessed on March 18th from http://clients.squareeye.net/uploads/eaquals/Baby2-08CECR-North.pdf |
9) | M-Learning and Digital Storytelling | |
10) | Content and Language Integrated Learning (CLIL) | de Zarobe (2008) CLIL and Foreign Language Learning: A Longitudinal Study in the Basque Country |
11) | Mother-Tongue-Based Multilingual Education | Benson (2009) Designing Effective Schooling in Multilingual Contexts: Going Beyond Bilingual Models |
12) | World Englishes | Chapter 1 from Jenkins, J. (2003). World Englishes: A Resource Book for Students. New York/London: Routledge. |
13) | English as a Lingua Franca | Seidlhofer, B. (2004). Research perspectives on English as a lingua franca. Annual Review of Applied Linguistics 24, 209-239. |
14) | Digital Game-Based Learning in ELT | Prensky, M. (2003). Digital Game-Based Learning. Computers and Entertainment: Theoretical and Practical Applications in Entertainment 1 (1), 10-21. |
Course Notes / Textbooks: | Kumaravadivelu, B. (2003) Beyond Methods: Macrostrategies for Language Teaching. London, UK and New Haven, CT: Yale University Press. |
References: | Abbott, G. (1990). Should we start digging new holes? . In R. Rossner & R. Bolitho (Eds.), Currents of change in English language teaching (pp. 15- 21). Oxford: OUP. Abbott, G. (1996). Development, education, and English language teaching. In T. Hedge and N. Whitney (Eds.), Power, Pedagogy and Practice (pp. 43-52). Oxford: OUP. Bax, S. (2003). The end of CLT: a context approach to language teaching. ELTJ 57(3), 278-287. Bell, D.M. (2003). Method and postmethod: are they really so incompatible? TESOL Quarterly, 37(2), 325-336. Bell, D.M. (2007). Do teachers think that methods are dead? ELTJ 61(2), 135-143. Borg, S. (2006). The distinctive characteristics of foreign language teachers. Language Teaching Research 10(1), 3-31. Brown, H.D. (1991). TESOL at twenty-five: what are the issues? TESOL Quarterly, 25(2), 245-260. Canagarajah, A.S. (2006). TESOL at forty: what are the issues? TESOL Quarterly, 40(1), 9-34. Clarke, M.A. (1982). On bandwagons, tyranny, and common sense. TESOL. Quarterly, 16(4), 437-448. Edge, J. (2003). Imperial troopers and servants of the lord: a vision of TESOL for the 21st century. TESOL Quarterly 37(4), 701-708. Ellis, G. (1996). How culturally appropriate is the communicative approach? ELTJ 50(3), 213-218. Kramsch, C. and P. Sullivan (1996). Appropriate pedagogy. ELT Journal, 50(3), 199-212. Kumaravadivelu, B. (2001). Toward a postmethod pedagogy. TESOL Quarterly, 17(4), 537-560. Kumaravadivelu, B. (2006). TESOL methods: changing tracks, challenging trends. TESOL Quarterly 40(1), 59-81. La Fond, L. and S. Doğüançay-Aktuna (2009). Teacher perspectives on linguistics in TESOL teacher education. Language Awareness 18(3-4), 345-365. Medgyes, P. (1990). Queries from a communicative teacher. In R. Rossner & R. Bolitho (Eds.), Currents of change in English language teaching (pp. 103-110). Oxford: OUP. Nault, D. (2006). Going global: rethinking culture teaching in ELT contexts. Language, Culture and Curriculum 19(3), 314-328. Pennycook, A. (1989). The concept of method, interested knowledge, and the politics of language teaching. TESOL Quarterly, 23(4), 589-618. Pham, Hoa Hiep. (2005). “Imported” communicative language teaching: implications for local teachers. English Teaching Forum, 43(4), 2-9. Raimes, A. (1983). Tradition and revolution in ESL teaching. TESOL Quarterly, 17(4), 535-552. Rajagopalan, K. (2008). From madness in method to method in madness. ELTJ 62(1), 84-85. Rao, Z. (2002). Chinese students’ perceptions of communicative and non-communicative activities in the ELT classroom. System 30, 85-105. Rogers, J. (1990). The world for sick proper. In R. Rossner & R. Bolitho (Eds.), Currents of change in English language teaching (pp. 7-15). Oxford: OUP. Sampson, G.P. (1984). Exporting language teaching methodology from Canada to China. TESL Canada Journal, 1, 19-31. Savignon, S.J. (2007). Beyond communicative language teaching: what’s ahead? Journal of Pragmatics 39, 207-220. Shamim, F. (1996) Learner resistance to innovation in classroom methopdology. In H. Coleman (ed.), Society and the language classroom (pp.73-98). Cambridge: CUP. Sifakis, N. (2009). Challenges in teaching ELF in the periphery: the Greek context. ELTJ 63(3), 230-237. Swan, M. (1990). A critical look at the communicative approach. In R. Rossner & R. Bolitho (Eds.), Currents of change in English language teaching (pp. 73-98). Oxford: OUP. Tollefson, J.W. (1991). Modernization and English language teaching. In Planning language, planning inequality. Language policy in the community (pp. 80-103). London: Longman. Widdowson, H.G. (1990). Against dogma: A reply to Michael Swan. In R. Rossner & R. Bolitho (Eds.), Currents of change in English language teaching (pp. 99-103). Oxford: OUP. |
Ders Öğrenme Kazanımları | ||||||||||||||
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Program Outcomes | ||||||||||||||
1) They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). | ||||||||||||||
2) They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. | ||||||||||||||
3) They are aware of national and international values in performing arts. | ||||||||||||||
4) Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. | ||||||||||||||
5) They have the sensitivity to run a business successfully in their field. | ||||||||||||||
6) Develops the ability to perceive, think, design and implement multidimensional from local to universal. | ||||||||||||||
7) They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. | ||||||||||||||
8) They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. | ||||||||||||||
9) They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. | ||||||||||||||
10) They follow English language resources related to their field and can communicate with foreign colleagues in their field. | ||||||||||||||
11) By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. | ||||||||||||||
12) They can produce original works within the framework of an interdisciplinary understanding of art. | ||||||||||||||
13) Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. | ||||||||||||||
14) Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. | ||||||||||||||
15) They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | They acquire theoretical, historical and aesthetic knowledge specific to their field by using methods and techniques related to performing arts (acting, dance, music, etc.). | 2 |
2) | They have knowledge about art culture and aesthetics and they provide the unity of theory and practice in their field. | 2 |
3) | They are aware of national and international values in performing arts. | 2 |
4) | Abstract and concrete concepts of performing arts; can transform it into creative thinking, innovative and original works. | 1 |
5) | They have the sensitivity to run a business successfully in their field. | 3 |
6) | Develops the ability to perceive, think, design and implement multidimensional from local to universal. | 3 |
7) | They have knowledge about the disciplines that the performing arts field is related to and can evaluate the interaction of the sub-disciplines within their field. | 2 |
8) | They develop the ability to perceive, design, and apply multidimensionality by having knowledge about artistic criticism methods. | 3 |
9) | They can share original works related to their field with the society and evaluate their results and question their own work by using critical methods. | 1 |
10) | They follow English language resources related to their field and can communicate with foreign colleagues in their field. | 1 |
11) | By becoming aware of national and international values in the field of performing arts, they can transform abstract and concrete concepts into creative thinking, innovative and original works. | 3 |
12) | They can produce original works within the framework of an interdisciplinary understanding of art. | 2 |
13) | Within the framework of the Performing Arts Program and the units within it, they become individuals who are equipped to take part in the universal platform in their field. | 3 |
14) | Within the Performing Arts Program, according to the field of study; have competent technical knowledge in the field of acting and musical theater. | 2 |
15) | They use information and communication technologies together with computer software that is at least at the Advanced Level of the European Computer Use License as required by the field. | 3 |
Semester Requirements | Number of Activities | Level of Contribution |
Attendance | 10 | % 10 |
Homework Assignments | 10 | % 30 |
Presentation | 5 | % 20 |
Project | 10 | % 40 |
Total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 100 | |
PERCENTAGE OF FINAL WORK | % | |
Total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 14 | 3 | 42 |
Presentations / Seminar | 2 | 15 | 30 |
Project | 2 | 10 | 20 |
Homework Assignments | 5 | 10 | 50 |
Paper Submission | 2 | 20 | 40 |
Final | 2 | 10 | 20 |
Total Workload | 202 |