DİŞ HEKİMLİĞİ | |||||
Lisans | TYYÇ: 6. Düzey | QF-EHEA: 1. Düzey | EQF-LLL: 6. Düzey |
Ders Kodu: | GEP0133 | ||||||||
Ders İsmi: | 20. Yüzyıl Müziği | ||||||||
Ders Yarıyılı: |
Güz Bahar |
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Ders Kredileri: |
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Öğretim Dili: | İngilizce | ||||||||
Ders Koşulu: | |||||||||
Ders İş Deneyimini Gerektiriyor mu?: | Hayır | ||||||||
Dersin Türü: | GE-Elective | ||||||||
Dersin Seviyesi: |
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Dersin Veriliş Şekli: | Yüz yüze | ||||||||
Dersin Koordinatörü: | Dr. BURCU ALARSLAN ULUDAŞ | ||||||||
Dersi Veren(ler): | |||||||||
Dersin Yardımcıları: |
Dersin Amacı: | To provide a general knowledge of Modern and Contemporary music produced in Europe, Russia, USA and Turkey as of the beginning of the 20th century till today, including brief explanations on the interaction between Contemporary Music and other more popular genres such as Blues, Jazz, Rock’n’Roll, Electronic Music etc. |
Dersin İçeriği: | Modernism, Nationalism, Minimalism, Post-Minimalism, Neo-Romanticisim, The Great War, WWII, Vietnam War, Atonality, 12-tone Music, Serialism. "Entartete Musik", Post-Modernism, Jazz, Rock, Metal Music. |
Bu dersi başarıyla tamamlayabilen öğrenciler;
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Hafta | Konu | Ön Hazırlık |
1) | Introduction. Music and Culture. | |
2) | The Concept of Music according to Linguistics, Physics, Sociology and Aesthetics. | Reading: “Why We Sing” from Music Instinct by P. Ball |
3) | Historical Background : Music in East & Music in Antiquity Medieval Age, Renaissance, Baroque Music, Classical and Romantic Periods of Music History | Reading: Hand-Out by Celâl Eldeniz |
4) | Historical Background : Music in East & Music in Antiquity Medieval Age, Renaissance, Baroque Music, Classical and Romantic Periods of Music History | Reading: Hand-Out by Celâl Eldeniz |
5) | Historical Background : Music in East & Music in Antiquity Medieval Age, Renaissance, Baroque Music, Classical and Romantic Periods of Music History | Reading: Hand-Out by Celâl Eldeniz |
6) | PART II-PRE-WAR PERIOD Basic Music Theory-Physics of Sound Basic Music Theory-Musical Terms | Readings: 1. Listener’s Guide (via E-mail) 2. Notes on Music Theory by Celâl Eldeniz |
7) | Introduction to Modern and Contemporary Periods of Music History Pre-War Period I Movements, Techniques, Composers: Post-Wagnerian: Mahler, Strauss Spanish Nationalism: Albeniz, De Falla, Granados South America: Villa-Lobos Italy: Puccini Other Parts of Europe: Janacek, Sibelius | Readings: 1. Hand-Out by Celâl Eldeniz Pre-War Period II: Impressionism, French Avant-Gardes, Les Decadents, Les Six. Movements, Techniques, Composers: France: (Romanticism) Saint-Saëns, Fauré, (Impressionism) Debussy, Ravel, (neoclassicism) Satie, Les Six (Milhaud, Poulenc and others) Readings: Hand-Out by Celâl Eldeniz |
8) | Pre-War Period III: A Reaction to Avant-Garde: Tonal- Atonal, Second Viennese School, Twelve-Tone System | Movements, Techniques, Composers: Second Viennese School/Expressionism: Schönberg, Berg, and Webern Neo-Classicism USSR: Rachmaninov, Scriabin, (neo-classicism) Stravinski, Prokofiev, (neoromanticism) Shostakovich |
9) | PART III-THE PERIOD BETWEEN THE WARS Between the Wars in America: Jazz Music & Visual Arts: Musical Theatre. Movements, Techniques, Composers: Jazz Influenced Music: Gershwin, Bernstein Midterm Exam (13.11.2019, (After covering topics in first half of the class )13.20 - 14.20, H 101) Submission of Midterm Projects | Videos (Not a must, Optional): 1. Documentary : Blues America 2. Some of the Jazz Documentaries on-line 3. The Music that Made the Movies (3 Parts) |
10) | Around WWII: Neue Sachlichkeit, Gebrauchsmusik, Entartete Musik, Electronische Musik. British and American Contemporary Classical Music | Movements, Techniques, Composers: British Music: (Socialism) Holst, Williams, (neo-romanticism) Britten Electronic Music: Varèse Microtonal Music: Charles Ives Utility Music: Hindemith, Weill, Copland |
11) | AFTER-WAR PERIOD Serialism, Musical Primitivism, Futurism, Neo-Romanticism, Eclecticism | Movements, Techniques, Composers: Serialism & Total Serialism: Stockhausen, Boulez, Berio, Krenek Folklorism/Musical Primitivism: Bartok Futurism: Russolo Neo-Romanticism: Barber Polystilism/Eclecticism: Schnittke, Cowell, Messiaen |
12) | Indeterminism, Texturalism, Computer Music, Minimalism | Movements, Techniques, Composers: Aleatoric Music/Indeterminism: John Cage, Xenakis Texturalism: Ligeti Computer Music: Max Mathews Minimalism: Philip Glass, Steve Reich, John Adams |
13) | New Simplicity, New Complexity, Musical Historicism, Rock Influenced Music, Rock Music and Pop Music | New Simplicity: Reimann New Complexity: Osborne Musical Historicism: Benjamin Bagby Rock Influenced Music: Scott Johnson, John Zorn |
14) | Putting it all together. Revision and General Discussion. | Screening : Documentary: The Sound and The Fury: A Century of Modern Music |
15) | MODERN AND CONTEMPORARY MUSIC IN TURKEY | Modern and Contemporary Music in Turkey Make a Research. TBA Final Exam (Exam Date and place TBA) Submission of Self-Evaluation Papers Resources |
Ders Notları / Kitaplar: | Class Notes and Hand-Outs • Notes on Music Theory by Celâl Eldeniz • Hand-outs on Music History by Celâl Eldeniz Course Text Book: • Copland, New Music (in the copy center) |
Diğer Kaynaklar: | Secondary Resources: • Nicholas Cook, The Cambridge History of Twentieth-Century Music • Nicholas Cook, Music: A Very Short Introduction, Oxford University Press (Çeviri: “Müziğin ABC’si”) • Peter Wicke, From Mozart to Madonna: A Cultural History of Pop Music • Burkholder, Grout, Palisca, A History of Western Music, 8th Edition • Burkholder, Palisca, Norton Anthology of Western Music, 5th Edition • Weiss, Taruskin, Music in the Western World: A History in Documents • Alex Ross, The Rest is Noise: Music in the 20th Century • Frisch, Music in the 20th and 21st Centuries • Ashby, The Future of Modernist Music |
Ders Öğrenme Kazanımları |
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Program Kazanımları |
Etkisi Yok | 1 En Düşük | 2 Düşük | 3 Orta | 4 Yüksek | 5 En Yüksek |
Dersin Program Kazanımlarına Etkisi | Katkı Payı |
Yarıyıl İçi Çalışmaları | Aktivite Sayısı | Katkı Payı |
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YARIYIL İÇİ ÇALIŞMALARININ BAŞARI NOTU KATKISI | % 0 | |
YARIYIL SONU ÇALIŞMALARININ BAŞARI NOTUNA KATKISI | % | |
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